Year 7 History scheme of work exploring the Chaldon Doom Painting and the Thomas Becket controversy to map the spiritual and political power of Rome.
A strategic unit plan mapping the logical progression of skills, knowledge, and assessment points across an entire topic.
Subject: History | Year: 7
Class/Set: ____________ Date/Term: ____________
Intent: Students will evaluate the spiritual, social, and political dominance of the Catholic Church in Medieval England, developing their ability to analyse primary sources and construct PEEL-structured historical arguments.
| Timeframe / Lesson | Lesson Title | Learning Objective (LO) | Key Activities / Assessment |
|---|---|---|---|
| Lesson 1 | The Power of Rome | To explain the hierarchy and global influence of the Catholic Church. | Define: Tier 3 terms: 'Christendom', 'Pope', and 'Archbishop'. Identify: the Church's position on a social hierarchy diagram. Discuss: how the Church owned 25% of land in England. |
| Lesson 2 | Heaven, Hell, and Purgatory | To describe the spiritual beliefs that gave the Church power over peasants. | Examine: the concept of the 'Tithe' (10% tax). Explain: the role of Purgatory and the sale of Indulgences. Analyse: how fear of the afterlife drove obedience to the Church. |
| Lesson 3 | The Doom Painting | To interpret visual sources used to control an illiterate population. | Analyse: the iconography of the Chaldon Doom Painting. Annotate: specific features representing 'Heaven' and 'Hell'. Synthesise: why visual aids were essential for a non-reading public. |
| Lesson 4 | Mid-Unit Assessment | To evaluate the relative power of the Church versus the Monarchy. | Compare: the wealth and legal powers of the King and the Pope. Draft: a PEEL paragraph answering: 'Was the Church more powerful than the King?'. Assess: formal mid-unit written response (summative). |
| Lesson 5 | The Becket Controversy | To analyse the causes and consequences of the conflict between Henry II and Thomas Becket. | Sequence: the timeline of Becket’s appointment to his murder in 1170. Evaluate: the 'Constitution of Clarendon' and the disagreement over 'Criminous Clerks'. Model: a source analysis of Henry II's supposed outburst. |
| Lesson 6 | The Life of a Monk | To investigate the social and economic roles of Medieval Monasteries. | Describe: the 'Benedictine Rule' and the daily routine of a monk. Map: the layout of a typical Cistercian Abbey. Evaluate: the Church's role in providing healthcare and education. |
| Lesson 7 | Pilgrimage and Penance | To explain the significance of holy journeys in the Middle Ages. | Identify: major pilgrimage sites (Canterbury, Walsingham, Rome, Jerusalem). Discuss: the motivations for pilgrimage (healing, forgiveness, status). Create: a 'traveller's guide' for a 12th-century pilgrim to Canterbury. |
| Lesson 8 | Unit Review: The Great Shadow | To synthesise the impact of the Church on every aspect of Medieval life. | Review: the core 'Power Pillars' (Economic, Spiritual, Legal, Political). Organise: a 'Diamond Nine' activity ranking the Church's most significant influences. Consolidate: end-of-unit vocabulary check. |
Resources Needed:
Pedagogical Pulse:
Task A: The Power of Rome (Lesson 1)
Task B: Doom Painting Interpretation (Lesson 3)
Task C: Mid-Unit Assessment PEEL Structure (Lesson 4)
Task D: Becket Murder Vocabulary Check (Lesson 5)
Sequencing the complex interplay between ecclesiastical authority and monarchical sovereignty often presents a significant cognitive hurdle for early secondary learners. By integrating the Chaldon Doom Painting as a primary visual hook, the Scheme of Work anchors abstract theological concepts in concrete iconography before transitioning to the political friction of the Constitutions of Clarendon. This strategic layering of substantive knowledge reduces the intrinsic load associated with medieval power dynamics, ensuring that pupils move beyond descriptive recall. Consequently, Year 7 students develop the analytical rigour required to evaluate historical significance, successfully bridging the gap between foundational KS2 narratives and the evaluative demands of KS3.
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